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Musunde Hiraite Rasetsu to Mukuro-Hatsune Miku

钢琴谱

Musunde Hiraite Rasetsu to Mukuro-Hatsune Miku

钢琴谱

00:00/ 00:00
Musunde Hiraite Rasetsu to Mukuro-Hatsune Miku-Hatsune Miku钢琴谱

Musunde Hiraite Rasetsu to Mukuro-Hatsune Miku

Hatsune Miku

1876

  • 曲谱信息
  • 标 题:

    Musunde Hiraite Rasetsu to Mukuro-Hatsune Miku

  • 作曲者:

    Hatsune Miku

  • 表演者:

    Hatsune Miku

  • 改编/制谱:

    未知

  • 调 号:

    D调

  • 风 格:

    现代(轻音乐)

  • 难 度:

    较难

  • 类 型:

    改编

  • 收藏量:

    1

  • 热度:

    热度
  • 曲谱简介:

    Musunde Hiraite Rasetsu to Mukuro Musunde Hiraite Rasetsu to Mukuro is a song performed by Japanese VOCALOID Hatsune Miku. A dark, mysterious, traditional-Japanese-type composition describing a grotesque and surreal world of monsters and phenomenons, interrupted midway by a refrain of "none of your business". In the original broadcast, Hachi stated that "he meant to depict the cruelty of innocent children". Later on in Hachis blog he wrote on about how innocent childrens "innocence" can actually turn destructive and evil, and also criticizing the general cold and indifferent attitude of the public. He added at the end, however, that he was "limited" in what he could say. One idea holds that, according to a few minute details in the lyrics, it is about child prostitutes and the cruel deeds that they commit in revenge. Fans on the web elaborated this and seem to be more inclined to believe that the song is actually about the tragic life of the Japanese prostitutes ("cats" in slang). The prostitutes "join up" with and "open up" for their patrons, abort the babies that they accidentally conceive (skulls in their belly), and get right back into business the next day (before the rooster could crow). It is also said that the title of the song, the Rakshasa and the Corpse, hints at the cruel relationship between the patron (a man-eating demon) and the prostitute (a corpse). The exact meaning of the lyrics is open to interpretation. And Musunde Hiraite Rasetsu to Mukuro is featured in the EXIT TUNES compilation album Vocalolegend.

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